PUBLICATIONS
Books:
America’s Commitment to Culture: Government and the Arts, co-editor with Margaret J. Wyszomirski, and principal contributor (Boulder, CO: Westview Press, 1995).
American National Security: A Presidential Perspective, co-author with Cecil V. Crabb, Jr. (Pacific Grove, CA: Brooks/Cole, 1990).
The Challenge to Reform Arts Education, co-editor with David Pankratz (New York: American Council for the Arts, 1989).
Presidents and Foreign Policy Making: FDR to Reagan, co-author with Cecil V. Crabb, Jr. (Baton Rouge: Louisiana State University Press, 1986). Included in “The Political Traditions in Foreign Policy Series” edited by Kenneth W. Thompson.
Public Policy and the Arts, co-editor with C. Richard Swaim, and principal contributor (Boulder, CO: Westview Press, 1982).
America Votes, co-author with Richard S. Katz (Englewood Cliffs, NJ: Prentice- Hall 1976); Japanese Edition, new introduction (Tokyo: Keibundo, 1979).
Book chapters, articles in journals:
“L’Analyse Comparative des Politiques Culturelles Internationales” (collaborating author), Loisir et Société, 34 (Fall, 2012): 149-86.
“Globalization and Culture: The Case of Canada and the United States,” ESSACHESS – Journal for Communication Studies, (Spring 2012): 151- 162. (In Social Science Research Archives).
“Counter-Reformation Cultural Policy: The Case of St. Peter’s,” International Journal of Cultural Policy Research, 17(March 2011): 131-152.
“Coloniality and Cultural Policy,” in International Relations, Culture and Global Finance. Akis Kalaitzidis, editor (Athens: Aitner Publications, 2011), pp. 199-212.
“Privatisation ou Darwinisme: Le Système Américain pour la Subvention des Arts aux États-Unis” in Claudine Audet and Diane St. Pierre (eds.), Tendances et Défis des Politiques Culturelles dans les Pays Occidentaux. (Les Presses de l’Université Laval, 2010.), pp.89-130.
“The Book That Most Influenced My Study of Cultural Policy Research: A Review Essay” International Journal of Cultural Policy Research, 16(February 2010): 60-62.
America’s Commitment to Culture: Government and the Arts, co-editor with Margaret J. Wyszomirski, and principal contributor (Boulder, CO: Westview Press, 1995).
American National Security: A Presidential Perspective, co-author with Cecil V. Crabb, Jr. (Pacific Grove, CA: Brooks/Cole, 1990).
The Challenge to Reform Arts Education, co-editor with David Pankratz (New York: American Council for the Arts, 1989).
Presidents and Foreign Policy Making: FDR to Reagan, co-author with Cecil V. Crabb, Jr. (Baton Rouge: Louisiana State University Press, 1986). Included in “The Political Traditions in Foreign Policy Series” edited by Kenneth W. Thompson.
Public Policy and the Arts, co-editor with C. Richard Swaim, and principal contributor (Boulder, CO: Westview Press, 1982).
America Votes, co-author with Richard S. Katz (Englewood Cliffs, NJ: Prentice- Hall 1976); Japanese Edition, new introduction (Tokyo: Keibundo, 1979).
Book chapters, articles in journals:
“L’Analyse Comparative des Politiques Culturelles Internationales” (collaborating author), Loisir et Société, 34 (Fall, 2012): 149-86.
“Globalization and Culture: The Case of Canada and the United States,” ESSACHESS – Journal for Communication Studies, (Spring 2012): 151- 162. (In Social Science Research Archives).
“Counter-Reformation Cultural Policy: The Case of St. Peter’s,” International Journal of Cultural Policy Research, 17(March 2011): 131-152.
“Coloniality and Cultural Policy,” in International Relations, Culture and Global Finance. Akis Kalaitzidis, editor (Athens: Aitner Publications, 2011), pp. 199-212.
“Privatisation ou Darwinisme: Le Système Américain pour la Subvention des Arts aux États-Unis” in Claudine Audet and Diane St. Pierre (eds.), Tendances et Défis des Politiques Culturelles dans les Pays Occidentaux. (Les Presses de l’Université Laval, 2010.), pp.89-130.
“The Book That Most Influenced My Study of Cultural Policy Research: A Review Essay” International Journal of Cultural Policy Research, 16(February 2010): 60-62.
Executive Editor, “New Zealand Cultural Policy: the Helen Clark Years.” Journal of Arts Management, Law and Society, (Spring 2010); Introduction: 93-94.
“Coloniality, Identity and Cultural Policy” in J. P. Singh (ed.), International Cultural Policies and Power (New York: Palgrave-Macmillan, 2010), pp. 155-165.
“Identity, Independence, and Imperialism: The Case of Canadian-American Cultural Relations” in Monica Gattinger and Geoffrey Hale (eds.), Borders and Bridges: Canada’s Policy Relations in North America (Toronto: Oxford University Press, 2010), pp. 248-266.
“Vorsicht Kulturdarwinismus: Die Grenzen des Amerikanischen Systems der Kulturförderung, 1990-2006” in Thomas Adam, Simone Lässig and Gabrielle Lingelbach (eds.), Stifter, Spender und Mäzene: USA und Deutschland im historischen Vergleich, (Stuttgart: Franz Steiner Verlag, 2009), pp. 191-218.
Executive Editor, “International Issues in Arts Management, Law and Society” Journal of Arts Management, Law and Society, 39 (Summer 2009): Introduction, pp. 83-85
Executive Editor, “Varieties of Non-National Cultural Policies.” Journal of Arts Management, Law and Society, 38 (Fall 2008): Introduction, 163-165.
“Hurricane Katrina: A Cultural Chernobyl” with Jerry McKernan, J.D., Journal of Arts Management, Law and Society, 38 (Fall 2008): 217-228.
“Identity and Cultural Policy” in Understanding the Arts and Creative Sector in the United States. Joni Cherbo, Ruth Ann Stewart and Margaret Wyszomirski, editors (New Brunswick, NJ: Rutgers University Press, 2008). Translated into Romanian by Dr. Dan-Eugen Ratiu. Politica cultura si artele: local, national, global. (Cluj-Napoca: Cosa Cartii de Stinta, 2012), pp. 21-38
Executive Editor, “Emerging Researchers in Australia and Asia,” Journal of Arts Management, Law and Society, 38 (Summer 2008).
Executive Editor, “EU Enlargement and European Cultural Policy Development,” Journal of Arts Management, Law and Society, 37 (Winter 2007).
Executive Editor, “Cultural Development,” Journal of Arts Management, Law and Society, 36 (Fall 2006).
“Cultural Policy,” chapter in Guy Peters and Jon Pierre (eds.), Handbook of Public Policy, (London: Sage Publications, 2006), pp. 265-79.
Executive Editor, “Austrian Cultural Policy,” Journal of Arts Management, Law and Society, 35 (Winter 2006).
“Cultural Policy: Definitions and Theoretical Approaches.” Journal of Arts Management, Law and Society, 36 (Summer 2006): 319-330.
“Coloniality, Identity and Cultural Policy” in J. P. Singh (ed.), International Cultural Policies and Power (New York: Palgrave-Macmillan, 2010), pp. 155-165.
“Identity, Independence, and Imperialism: The Case of Canadian-American Cultural Relations” in Monica Gattinger and Geoffrey Hale (eds.), Borders and Bridges: Canada’s Policy Relations in North America (Toronto: Oxford University Press, 2010), pp. 248-266.
“Vorsicht Kulturdarwinismus: Die Grenzen des Amerikanischen Systems der Kulturförderung, 1990-2006” in Thomas Adam, Simone Lässig and Gabrielle Lingelbach (eds.), Stifter, Spender und Mäzene: USA und Deutschland im historischen Vergleich, (Stuttgart: Franz Steiner Verlag, 2009), pp. 191-218.
Executive Editor, “International Issues in Arts Management, Law and Society” Journal of Arts Management, Law and Society, 39 (Summer 2009): Introduction, pp. 83-85
Executive Editor, “Varieties of Non-National Cultural Policies.” Journal of Arts Management, Law and Society, 38 (Fall 2008): Introduction, 163-165.
“Hurricane Katrina: A Cultural Chernobyl” with Jerry McKernan, J.D., Journal of Arts Management, Law and Society, 38 (Fall 2008): 217-228.
“Identity and Cultural Policy” in Understanding the Arts and Creative Sector in the United States. Joni Cherbo, Ruth Ann Stewart and Margaret Wyszomirski, editors (New Brunswick, NJ: Rutgers University Press, 2008). Translated into Romanian by Dr. Dan-Eugen Ratiu. Politica cultura si artele: local, national, global. (Cluj-Napoca: Cosa Cartii de Stinta, 2012), pp. 21-38
Executive Editor, “Emerging Researchers in Australia and Asia,” Journal of Arts Management, Law and Society, 38 (Summer 2008).
Executive Editor, “EU Enlargement and European Cultural Policy Development,” Journal of Arts Management, Law and Society, 37 (Winter 2007).
Executive Editor, “Cultural Development,” Journal of Arts Management, Law and Society, 36 (Fall 2006).
“Cultural Policy,” chapter in Guy Peters and Jon Pierre (eds.), Handbook of Public Policy, (London: Sage Publications, 2006), pp. 265-79.
Executive Editor, “Austrian Cultural Policy,” Journal of Arts Management, Law and Society, 35 (Winter 2006).
“Cultural Policy: Definitions and Theoretical Approaches.” Journal of Arts Management, Law and Society, 36 (Summer 2006): 319-330.
Executive Editor, “Cultural Policies in Australia,” Journal of Arts Management, Law and Society, 35 (Spring 2005).
Executive Editor, “The Conceptualization of Art,” Journal of Arts Management, Law and Society, 34 (Summer 2004).
“Comparing Cultural Patronage: Traditions and Trends” in David Pankrantz and Valerie Morris, editors, The Arts in a New Millennium: Research and the Arts Sector (Greenwood Publishing, 2003), pp. 95-108.
Executive Editor, “Culture and Entrepreneurship,” Journal of Arts Management, Law and Society, 33 (Fall 2003).
“Entrepreneurship or Cultural Darwinism: Perspectives on the American System of Cultural Patronage,” Journal of Arts Management, Law, and Society, (Fall 2003): 165184. This also appeared as “Privatisierung oder kultureller Darwinismus: Betrachtungen über das amerikanische System der Kulturförderung,” NeuesMuseum die österreichische Museumszeitschrift, Nr. 3+4, 2002: 32-35.
Executive Editor, “The Cultural Market and Public Cultural Agencies,” Journal of Arts Management, Law and Society, 32 (Spring 2002): Introduction, 3-5.
“The State Arts Agency: An Overview of Cultural Federalism in the United States,” Journal of Arts Management, Law and Society, 32 (Spring 2002): 67-80.
Executive Editor, “Cultural Politics: Global and Local,” Journal of Arts Management, Law and Society, 31 (Winter 2002): Introduction, 251-253.
“Cultural Imperialism and Cultural Sovereignty: U.S.-Canadian Cultural Relations,” Journal of Arts Management, Law and Society, 31 (Winter 2002): 265-278.
Executive Editor, “The Nordic Cultural Policies,” Journal of Arts Management, Law and Society, 30 (Spring 2001): Introduction, 3-4.
“The Abused Patron of Culture: Public Culture and Cultural Patronage in the United States,” Boekmancahier 44 (June 2000): 169-181.
“Cultural Imperialism and Cultural Sovereignty,” American Review of Canadian Studies, 30 (Summer 2000): 181-206.
Executive Editor, “Not-for-profit Cultural Sector in Post-Socialist States,” Journal of Arts Management, Law and Society, 29 (Spring 2000): Introduction, 3-6.
“The Government and Cultural Patronage: A Comparative Analysis of Cultural Patronage in the United State, France, Norway and Canada” in Joni M. Cherbo and Margaret J. Wyszomirski, editors, The Public Life of the Arts in America, (New Brunswick: Rutgers University Press, 2000), pp. 138- 168.
Executive Editor, “The Conceptualization of Art,” Journal of Arts Management, Law and Society, 34 (Summer 2004).
“Comparing Cultural Patronage: Traditions and Trends” in David Pankrantz and Valerie Morris, editors, The Arts in a New Millennium: Research and the Arts Sector (Greenwood Publishing, 2003), pp. 95-108.
Executive Editor, “Culture and Entrepreneurship,” Journal of Arts Management, Law and Society, 33 (Fall 2003).
“Entrepreneurship or Cultural Darwinism: Perspectives on the American System of Cultural Patronage,” Journal of Arts Management, Law, and Society, (Fall 2003): 165184. This also appeared as “Privatisierung oder kultureller Darwinismus: Betrachtungen über das amerikanische System der Kulturförderung,” NeuesMuseum die österreichische Museumszeitschrift, Nr. 3+4, 2002: 32-35.
Executive Editor, “The Cultural Market and Public Cultural Agencies,” Journal of Arts Management, Law and Society, 32 (Spring 2002): Introduction, 3-5.
“The State Arts Agency: An Overview of Cultural Federalism in the United States,” Journal of Arts Management, Law and Society, 32 (Spring 2002): 67-80.
Executive Editor, “Cultural Politics: Global and Local,” Journal of Arts Management, Law and Society, 31 (Winter 2002): Introduction, 251-253.
“Cultural Imperialism and Cultural Sovereignty: U.S.-Canadian Cultural Relations,” Journal of Arts Management, Law and Society, 31 (Winter 2002): 265-278.
Executive Editor, “The Nordic Cultural Policies,” Journal of Arts Management, Law and Society, 30 (Spring 2001): Introduction, 3-4.
“The Abused Patron of Culture: Public Culture and Cultural Patronage in the United States,” Boekmancahier 44 (June 2000): 169-181.
“Cultural Imperialism and Cultural Sovereignty,” American Review of Canadian Studies, 30 (Summer 2000): 181-206.
Executive Editor, “Not-for-profit Cultural Sector in Post-Socialist States,” Journal of Arts Management, Law and Society, 29 (Spring 2000): Introduction, 3-6.
“The Government and Cultural Patronage: A Comparative Analysis of Cultural Patronage in the United State, France, Norway and Canada” in Joni M. Cherbo and Margaret J. Wyszomirski, editors, The Public Life of the Arts in America, (New Brunswick: Rutgers University Press, 2000), pp. 138- 168.
8
“Cultural Patronage in the United States,” International Journal of Arts Management, 2 (Fall 1999): 53-58.
Executive Editor, “Cultural Diplomacy in the Post-Cold War Era,” Journal of Arts Management, Law and Society, 28 (Spring 1999): Introduction, 3-6.
“Cultural Diplomacy and the Exchange Programs: 1938-1978,” Journal of Arts Management, Law and Society, 29 (Spring 1999): 7-29.
Executive Editor, “The Arts and Entertainment in Comparative Perspective,” Journal of Arts Management, Law, and Society, 27 (Winter 1998): Introduction, 243-44.
“Cultural Patronage in Comparative Perspective: France, Germany, Norway, and Canada,” Journal of Arts Management, Law, and Society, 27 (Winter 1998): 243-63.
“Développement communautaire et financement public des Arts aux Etats-Unis,” L’observatoire des politiques culturelles, 14 (Automne 1997): 4-5. Included in Morceaux Choisis, 1989-2007 (Selected Articles, 1989-2007) from L’Observatoire: La Revue Des Politiques Culturelles, Grenoble, 2008.
“Une société distincte, une culture distinguée: Quebec’s Cultural Policy and Cultural Nationalism,” in Francois Colbert, editor, Textes choisis: Politiques Culturelles (Montreal: Ecole des Hautes Études Commerciales, 1997), pp. 223-37.
“Public Culture and Political Culture: La Politique Culturelle du Quebec,” Journal of Arts Management, Law and Society, 25 (Fall 1995): 25-49.
“Public Culture and Political Culture” in Guy Lachapelle, editor, Quebec Under Free Trade: Making Public Policy in America, (Quebec: Presses de l’Universite du Quebec, 1995.): 335-62.
“Walt Rostow As National Security Advisor, 1966-69,” Presidential Studies Quarterly, 25 (Spring 1995): 223-37.
“Rethinking Groupthink: Walt Rostow and the National Security Advisory Process in the Johnson Administration,” Presidential Studies Quarterly, 25 (Spring 1995): 237-251.
“The Organization of Public Support for the Arts,” “The NEA and the Reauthorization Process: Congress and Arts Policy,” “The Public Interest and the Arts Policy,” Chapters 5, 7, 9, in Mulcahy and Wyszomirski, America’s Commitment to Culture, 1995.
“Presidential Management Styles and National Security Policy-Making,” in James C. Gaston, editor, Grand Strategy and the Decisionmaking Process (Washington, D.C.: National Defense University Press, 1992), pp. 121- 139.
Executive Editor, “Cultural Diplomacy in the Post-Cold War Era,” Journal of Arts Management, Law and Society, 28 (Spring 1999): Introduction, 3-6.
“Cultural Diplomacy and the Exchange Programs: 1938-1978,” Journal of Arts Management, Law and Society, 29 (Spring 1999): 7-29.
Executive Editor, “The Arts and Entertainment in Comparative Perspective,” Journal of Arts Management, Law, and Society, 27 (Winter 1998): Introduction, 243-44.
“Cultural Patronage in Comparative Perspective: France, Germany, Norway, and Canada,” Journal of Arts Management, Law, and Society, 27 (Winter 1998): 243-63.
“Développement communautaire et financement public des Arts aux Etats-Unis,” L’observatoire des politiques culturelles, 14 (Automne 1997): 4-5. Included in Morceaux Choisis, 1989-2007 (Selected Articles, 1989-2007) from L’Observatoire: La Revue Des Politiques Culturelles, Grenoble, 2008.
“Une société distincte, une culture distinguée: Quebec’s Cultural Policy and Cultural Nationalism,” in Francois Colbert, editor, Textes choisis: Politiques Culturelles (Montreal: Ecole des Hautes Études Commerciales, 1997), pp. 223-37.
“Public Culture and Political Culture: La Politique Culturelle du Quebec,” Journal of Arts Management, Law and Society, 25 (Fall 1995): 25-49.
“Public Culture and Political Culture” in Guy Lachapelle, editor, Quebec Under Free Trade: Making Public Policy in America, (Quebec: Presses de l’Universite du Quebec, 1995.): 335-62.
“Walt Rostow As National Security Advisor, 1966-69,” Presidential Studies Quarterly, 25 (Spring 1995): 223-37.
“Rethinking Groupthink: Walt Rostow and the National Security Advisory Process in the Johnson Administration,” Presidential Studies Quarterly, 25 (Spring 1995): 237-251.
“The Organization of Public Support for the Arts,” “The NEA and the Reauthorization Process: Congress and Arts Policy,” “The Public Interest and the Arts Policy,” Chapters 5, 7, 9, in Mulcahy and Wyszomirski, America’s Commitment to Culture, 1995.
“Presidential Management Styles and National Security Policy-Making,” in James C. Gaston, editor, Grand Strategy and the Decisionmaking Process (Washington, D.C.: National Defense University Press, 1992), pp. 121- 139.
“The Elitist Presidency: George Bush and the Management of Operation Desert Storm,” with Cecil V. Crabb, in Richard Waterman, editor, The Presidency Reconsidered (Chicago: F.E. Peacock, 1992), pp. 275-300. Reprinted in Presidential Studies Quarterly, 25 (Spring1995): 251-267, and Jerel A. Rosati, editor, Readings in the Politics of United States Foreign Policy (Fort Worth: Harcourt Brace, 1998), pp. 28-43.
“The Public Interest and Public Culture,” Journal of Arts Management and Law, 21 (Spring 1991): 5-27. This also appeared as a chapter in Culture and Democracy: Social and Ethical Issues in Support of the Arts and Humanities, edited by Andrew Buchwalter (Boulder: Westview Press, 1992), 67-87. Excerpts appeared in Arts Ink: The Newsletter of the Mid- Atlantic Arts Foundation, 3 (Fall 1992): 2-3.
“The Structure and Politics of Local Support for the Arts in the United States.” In Decentralisation, regionalization, et action Culturelle municipal. Mario Beaulac and Francois Colbert, editors (Montreal: École des Hautes Études Commerciales de Montréal, 1992), pp. 59-78.
“The National Security Advisor: A Presidential Perspective,” in Colin Campbell and Margaret Wyszomirski, editors, Executive Leadership in Anglo- American Systems (Pittsburgh: University of Pittsburgh Press, 1991): pp. 259-79. Reprinted in Jerel A. Rosati, editor, Readings in the Politics of United States Foreign Policy (Fort Worth: Harcourt Brace, 1998), pp. 28- 43.
“The Bush National Security Team,” Governance: An International Journal of Policy and Administration, 4 (April 1991): 215-28.
“The Bush Administration and National Security Policymaking: A Preliminary Assessment,” International Journal of Intelligence and Counterintelligence, 4 (Summer 1990): 167-80.
“Openness and Preparedness: American Foreign Policy Challenges in the Twenty-First Century,” in John C. Shea, editor, Arguments on American Politics (Pacific Grove, Ca.: Brooks/Cole, 1990), pp. 297-304.
“Presidential Management of National Security Policymaking, 1947-87,” in James P. Pfiffner, editor, The Managerial Presidency (Pacific Grove, Ca.: Brooks/Cole, 1990), pp. 250-64.
“Those Other Arts Activities and the Future of the Arts,” in The Future of the Arts: Public Policy and the Arts Research, Valerie Morris and David Pankratz, editors (New York: Praeger, 1990), pp. 35-45.
“The Bush Administration and National Security: Process, Programs, Policy,” Public Administration Review, 50 (January/February 1990): 115-19.
“The National Security Council and the Shaping of U.S. Foreign Policy,” International Journal of Intelligence and Counterintelligence, 3 (Winter 1990): 153-68.
“The Public Interest and Public Culture,” Journal of Arts Management and Law, 21 (Spring 1991): 5-27. This also appeared as a chapter in Culture and Democracy: Social and Ethical Issues in Support of the Arts and Humanities, edited by Andrew Buchwalter (Boulder: Westview Press, 1992), 67-87. Excerpts appeared in Arts Ink: The Newsletter of the Mid- Atlantic Arts Foundation, 3 (Fall 1992): 2-3.
“The Structure and Politics of Local Support for the Arts in the United States.” In Decentralisation, regionalization, et action Culturelle municipal. Mario Beaulac and Francois Colbert, editors (Montreal: École des Hautes Études Commerciales de Montréal, 1992), pp. 59-78.
“The National Security Advisor: A Presidential Perspective,” in Colin Campbell and Margaret Wyszomirski, editors, Executive Leadership in Anglo- American Systems (Pittsburgh: University of Pittsburgh Press, 1991): pp. 259-79. Reprinted in Jerel A. Rosati, editor, Readings in the Politics of United States Foreign Policy (Fort Worth: Harcourt Brace, 1998), pp. 28- 43.
“The Bush National Security Team,” Governance: An International Journal of Policy and Administration, 4 (April 1991): 215-28.
“The Bush Administration and National Security Policymaking: A Preliminary Assessment,” International Journal of Intelligence and Counterintelligence, 4 (Summer 1990): 167-80.
“Openness and Preparedness: American Foreign Policy Challenges in the Twenty-First Century,” in John C. Shea, editor, Arguments on American Politics (Pacific Grove, Ca.: Brooks/Cole, 1990), pp. 297-304.
“Presidential Management of National Security Policymaking, 1947-87,” in James P. Pfiffner, editor, The Managerial Presidency (Pacific Grove, Ca.: Brooks/Cole, 1990), pp. 250-64.
“Those Other Arts Activities and the Future of the Arts,” in The Future of the Arts: Public Policy and the Arts Research, Valerie Morris and David Pankratz, editors (New York: Praeger, 1990), pp. 35-45.
“The Bush Administration and National Security: Process, Programs, Policy,” Public Administration Review, 50 (January/February 1990): 115-19.
“The National Security Council and the Shaping of U.S. Foreign Policy,” International Journal of Intelligence and Counterintelligence, 3 (Winter 1990): 153-68.
“Toward Civilization Through Arts Education,” Journal of Aesthetic Education, 23 (Summer 1989): 92-96.
“Civic Illiteracy and the American Cultural Heritage: A Review Essay,” Journal of Politics, 51 (February 1989): 177-87.
“Congress and Culture,” with Harold F. Kendrick, Journal of Arts Management and Law, 17 (Winter 1988): 39-56.
“Localism and the Administrative Foundations of American Public Broadcasting,” with Joseph C. Widoff, Journal of Aesthetic Education, 22 (Fall 1988): 13- 23.
“The Politics of Cultural Oversight: The Reauthorization Process and the Arts Endowment,” in Congress and the Arts, edited by Margaret J. Wyszomirski (New York: American Council on the Arts, 1988): 63-86.
“Presidents and Foreign Policy Making: A New Role for the Vice President,” Presidential Studies Quarterly, 17 (Winter 1987): 119-31.
“Cultural Policy and Administration in the United States,” in The Patron State: Government and the Arts in Industrialized Democracies, edited by Milton C. Cummings, Jr. and Richard S. Katz (New York: Oxford University Press, 1987), pp. 311-31. A revised version appears in The Aesthetic Dimension to Public Policy, edited by Ronald Berman and Ralph Smith (Urbana: University of Illinois Press, 1992), pp. 6-19.
“The Secretary of State v. The National Security Advisor: Foreign Policymaking in the Carter and Reagan Administrations,” Presidential Studies Quarterly, 16 (Spring, 1986): 280-99. Reprinted in Karl R. Inderfurth and Loch K. Johnson, editors, Decisions of the Highest Order: Perspectives on the National Security Council (Pacific Grove, Ca.: Brooks/Cole, 1988), pp. 122-36 and in Jerel A. Rosati, editor, Readings in the Politics of United States Foreign Policy (Fort Worth: Harcourt Brace, 1998), pp. 28-43.
“The Humanities and the Failure of American Higher Education: Reactions to William Bennett’s To Reclaim A Legacy,” Journal of Aesthetic Education, 20 (Summer 1986): 98-102.
“The Arts and Their Economic Impact: The Values of Utility,” Journal of Arts Management and Law, 16 (Fall 1986): 33-48. Reprinted in Place: The Magazine of Partners for Livable Places, 8 (January-February 1987): 3-8. An abridged version appeared as “The Arts and the Urban Economy” (British) Journal of Town and Country Planning, 57(October 1988):268-70.
“The American System of Public Broadcasting,” with Joseph C. Widoff, Journal of Arts Management and Law, 15 (Spring 1986): 31-58.
“The NEA as Public Patron of the Arts,” in Art, Ideology, and Politics, edited by Judith Balfe and Margaret Wyszomirski (New York: Praeger, 1985): 315- 41.
“Civic Illiteracy and the American Cultural Heritage: A Review Essay,” Journal of Politics, 51 (February 1989): 177-87.
“Congress and Culture,” with Harold F. Kendrick, Journal of Arts Management and Law, 17 (Winter 1988): 39-56.
“Localism and the Administrative Foundations of American Public Broadcasting,” with Joseph C. Widoff, Journal of Aesthetic Education, 22 (Fall 1988): 13- 23.
“The Politics of Cultural Oversight: The Reauthorization Process and the Arts Endowment,” in Congress and the Arts, edited by Margaret J. Wyszomirski (New York: American Council on the Arts, 1988): 63-86.
“Presidents and Foreign Policy Making: A New Role for the Vice President,” Presidential Studies Quarterly, 17 (Winter 1987): 119-31.
“Cultural Policy and Administration in the United States,” in The Patron State: Government and the Arts in Industrialized Democracies, edited by Milton C. Cummings, Jr. and Richard S. Katz (New York: Oxford University Press, 1987), pp. 311-31. A revised version appears in The Aesthetic Dimension to Public Policy, edited by Ronald Berman and Ralph Smith (Urbana: University of Illinois Press, 1992), pp. 6-19.
“The Secretary of State v. The National Security Advisor: Foreign Policymaking in the Carter and Reagan Administrations,” Presidential Studies Quarterly, 16 (Spring, 1986): 280-99. Reprinted in Karl R. Inderfurth and Loch K. Johnson, editors, Decisions of the Highest Order: Perspectives on the National Security Council (Pacific Grove, Ca.: Brooks/Cole, 1988), pp. 122-36 and in Jerel A. Rosati, editor, Readings in the Politics of United States Foreign Policy (Fort Worth: Harcourt Brace, 1998), pp. 28-43.
“The Humanities and the Failure of American Higher Education: Reactions to William Bennett’s To Reclaim A Legacy,” Journal of Aesthetic Education, 20 (Summer 1986): 98-102.
“The Arts and Their Economic Impact: The Values of Utility,” Journal of Arts Management and Law, 16 (Fall 1986): 33-48. Reprinted in Place: The Magazine of Partners for Livable Places, 8 (January-February 1987): 3-8. An abridged version appeared as “The Arts and the Urban Economy” (British) Journal of Town and Country Planning, 57(October 1988):268-70.
“The American System of Public Broadcasting,” with Joseph C. Widoff, Journal of Arts Management and Law, 15 (Spring 1986): 31-58.
“The NEA as Public Patron of the Arts,” in Art, Ideology, and Politics, edited by Judith Balfe and Margaret Wyszomirski (New York: Praeger, 1985): 315- 41.
“Official Culture and Cultural Repression: The Case of Dmitri Shostakovich,” Journal of Aesthetic Education, 18 (Fall 1984): 69-83.
“Reflections on the Humanities and American Life,” Journal of Aesthetic Education, 17 (Summer 1983): 118-21.
“Ideology and Public Culture,” Journal of Aesthetic Education, 16 (Summer 1982): 11-24.
“The Rationale for Public Culture,” “Culture and the Cities,” “Cultural Diplomacy: Foreign Policy and the Exchange Programs,” “The Attack on Public Culture,” chapters 3, 10, 12, and 13 in Mulcahy and Swaim, Policy and the Arts, 1982.
“California’s Cultural Condition,” Journal of Aesthetic Education, 15 (October 1981): 117-19.
“Public Culture and the Public: A Review Essay,” Western Political Quarterly, 34 (September 1981): 461-70.
“Government and the Arts: A Symposium,” editor and contributor, Journal of Aesthetic Education, 14 (October 1980): 21-54.
Other Publications (Book Reviews):
Buying Respectability: Philanthropy and Urban Society in Transnational Perspective, 1840s to 1930s by Thomas Adam in Journal of Arts Management, Law and Society, 40 (October – December 2010): 318 - 320.
Building Louisiana: The Legacy of the Works Progress Administration by Robert Leighninger (Oxford: University Press of Mississippi, 2009) and Long- Range Public Investment: The Forgotten Legacy of the New Deal by Robert Leighninger (Columbia, University of South Carolina Press, 2009) in Journal of Arts Management, Law and Society, 39 (Spring 2009): 76-78.
What Good Are The Arts? by John Carey in Journal of Arts Management, Law and Society, 36 (Winter 2007): 316-318.
The Entrepreneurial Arts Leader: Cultural Policy, Change and Reinvention by Ruth Rentschler in Journal of Arts Management, Law and Society, 35 (Spring 2005): 77-79.
The Nordic Cultural Model, edited by Peter Duelund in Journal of Arts Management, Law and Society, 34 (Fall 2004): 157-158.
“American National Security: A Presidential Perspective,” review essay of Games Advisers Play: Foreign Policy in the Nixon and Carter Administrations by Jean A. Garrison and Flawed by Design: The Evolution of the CIA, JCS, and NSC by Amy Zegart in Presidential Studies Quarterly, 30 (December 2000): 802-805.
Shaping and Signaling Presidential Policy: The National Security Decision- Making of Eisenhower and Kennedy by Meena Bose in American Political Science Review, 94 (June 2000): 454-455.
Culture and the Public Sphere by Jim McGuigin in Loisir et Societe, 22 (Autumn 1999): 546-548.
The Patron State: Culture and Politics in Fascist Italy by Marla Susan Stone in History: Reviews of New Books, 27 (Summer 1999): 167.
“The Public Interest in Public Broadcasting,” review essay of The Vanishing Vision: The Inside Story of Public Television by James Day and Ralph Engleman, Public Radio and Television in America in Journal of Policy History, 10 (Winter 1998): 271-74.
Leadership for the Public Service edited by Richard A. Loverd in Governance, 10 (July 1997): 317-318.
Art Lessons: Learning from the Rise and Fall of Public Arts Funding by Alice Goldfarb Marquis in Journal of Arts Management, Law and Society, 26 (Spring 1996): 71-72.
Congress Resurgent: Foreign and Defense Policy on Capitol Hill edited by Randall B. Ripley and James J. Lindsay in Presidential Studies Quarterly, 25 (Winter 1995): 163-64.
Paying the Piper: Causes and Consequences of Art Patronage, Judith Huggins Balfe (ed) in Journal of Aesthetic Education, 29 (Summer 1995): 119-120.
The Muses, the Masses, and the Massey Commission by Paul Litt in Governance, 7 (Winter 1994): 102-03.
Controlling the Sword: The Democratic Governance of National Security by Bruce Russett in Governance, 4 (Fall 1991): 512-13.
America’s Secret Power: The CIA in a Democratic Society by Loch K. Johnson in International Journal of Intelligence and Counterintelligence, 4 (Spring 1990): 132-35.
Our Government and the Arts: A Perspective from the Inside by Livingston Biddle in Journal of Aesthetic Education, 24 (Winter 1990): 115-18.
Organizing the Presidency (Second Edition) by Stephen Hess and Inside the Think Tank: Advising the Cabinet, 1971-1983 by Tessa Blackstone and William Plowden in Governance, (Spring 1990): 236-39.
The Presidency and the Management of National Security by Carnes Lord in Presidential Studies Quarterly, 20 (Winter 1990): 167-69.
The Politics of the U.S. Cabinet by Jeffery E. Cohen in American Political Science Review, 84 (March 1990): 293-94.
The In-and-Outers: Political Appointees and Transient Government in Washington edited by G. Calvin Mackenzie in Journal of Politics, 51 (February 1989): 218-20.
Leadership and Innovation edited by Jameson W. Doig and Erwin C. Hargrove in Journal of Politics, 50 (November 1988): 1102-04.
Nixon and the Politics of Public Television by David M. Stone in Journal of Politics, 50 (February 1988): 257-59.
Setting Municipal Priorities edited by Charles Brecher and Raymond D. Horton and Union Power & New York by Jewel and Bernard Bellush in American Political Science Review, 80 (December 1986): 1338-40.
Television’s Guardians by James L. Baughman in Journal of Politics, 48 (November 1986): 1079-81.
Public Enterprise and the Developing World edited by V. V. Ramanadham in Journal of Developing Areas, 19 (July 1985): 575-77.
The Democratic Muse: Visual Arts and the Public Interest by Edward Banfield in American Political Science Review, 78 (December 1984): 1087 and Political Science Quarterly, 100 (Spring 1985): 171-72.
Who Gets What From Government by Benjamin I. Page in Social Science Quarterly, 65 (Winter 1984): 166-67.
The Arts and the New England Economy by the New England Foundation of the Arts, Journal of Aesthetic Education, 18 (Fall 1984): 122-23.
The Tactical Uses of Passion: An Essay on Power, Reason, and Reality by F. G. Bailey in American Political Science Review, 78(September 1984):873-74.
Wall to Wall America: A Cultural History of Post-Office Murals in the New Deal by Karal Ann Marling in American Political Science Review, 78 (March 1984): 231-32.
The Ministry of Culture by Michael M. Mooney in American Political Science Review, 75 (December 1981): 1051-52.
Twigs for an Eagle’s Nest: Government and the Arts, 1965-1978 by Michael Straight in American Political Science Review, 75 (June 1981): 514-15.
Presidential Policy Making by Stephen Shull in Western Political Science Quarterly, 33 (September 1980): 422-23.
The Subsidized Muse: Public Support for the Arts in the United States by Dick Netzer in Western Political Science Quarterly, 32 (October 1979): 233-34.
The Democrats by Richard S. Parmet in Western Political Quarterly, 31 (March 1978): 140-41.
Leadership and Innovation edited by Jameson W. Doig and Erwin C. Hargrove in Journal of Politics, 50 (November 1988): 1102-04.
Nixon and the Politics of Public Television by David M. Stone in Journal of Politics, 50 (February 1988): 257-59.
Setting Municipal Priorities edited by Charles Brecher and Raymond D. Horton and Union Power & New York by Jewel and Bernard Bellush in American Political Science Review, 80 (December 1986): 1338-40.
Television’s Guardians by James L. Baughman in Journal of Politics, 48 (November 1986): 1079-81.
Public Enterprise and the Developing World edited by V. V. Ramanadham in Journal of Developing Areas, 19 (July 1985): 575-77.
The Democratic Muse: Visual Arts and the Public Interest by Edward Banfield in American Political Science Review, 78 (December 1984): 1087 and Political Science Quarterly, 100 (Spring 1985): 171-72.
Who Gets What From Government by Benjamin I. Page in Social Science Quarterly, 65 (Winter 1984): 166-67.
The Arts and the New England Economy by the New England Foundation of the Arts, Journal of Aesthetic Education, 18 (Fall 1984): 122-23.
The Tactical Uses of Passion: An Essay on Power, Reason, and Reality by F. G. Bailey in American Political Science Review, 78(September 1984):873-74.
Wall to Wall America: A Cultural History of Post-Office Murals in the New Deal by Karal Ann Marling in American Political Science Review, 78 (March 1984): 231-32.
The Ministry of Culture by Michael M. Mooney in American Political Science Review, 75 (December 1981): 1051-52.
Twigs for an Eagle’s Nest: Government and the Arts, 1965-1978 by Michael Straight in American Political Science Review, 75 (June 1981): 514-15.
Presidential Policy Making by Stephen Shull in Western Political Science Quarterly, 33 (September 1980): 422-23.
The Subsidized Muse: Public Support for the Arts in the United States by Dick Netzer in Western Political Science Quarterly, 32 (October 1979): 233-34.
The Democrats by Richard S. Parmet in Western Political Quarterly, 31 (March 1978): 140-41.
Controversies in American Voting Behavior edited by Richard Niemi and Herbert Weisberg in Social Science Quarterly, 58 (Fall 1977): 176-77.
Works in Progress:
Patronage, Patrimony and Cultural Policy: Comparative Perspectives (with research funding from an ATLAS grant). Under contract with Palgrave Macmillan.
“Command Cultures: An Ideological Comparison of Aryan Romanticism and Socialist-Realism as Totalitarian Aesthetics.”
“French Cultural Diplomacy: Exporting Civilization.” To be published in Cultural Diplomacy: International Perspectives, edited by Margaret J. Wyszomirski (forthcoming)
OTHER SCHOLARLY OR CREATIVE ACTIVITY:
Professeur invité, Institut d’Etudes Politiques du Grenoble, December 2013; Université de Strasbourg, December 12-21, 2011.
Guest Researcher, Institute for Cultural Studies, Shenzhen University, November 2013 – November 2016
Scholar-in-Residence, Observatorio Politico, Lisbon, Portugal, July 2012, December 2013
Convener and Organizer. 40th Annual Conference on Social Theory, Politics and the Arts,
“Cultural Diversity: International Perspectives.” Louisiana State University, Baton Rouge, October 18-20, 2012. (This was a major undertaking requiring creating a Conference website; a list serve for calls for papers, vetting 110 paper submissions, logistical work on hotel rooms, meals and refreshments, conference panels)
Member, 2012 SSHRC Banting Postdoctoral Fellowship Selection Committee: a peer review process that involved evaluating 20 applications of about 35 pages each from a total of 200. It was necessary to score each application according to three criteria. The Committee meeting for final grant determinations will be held in Ottawa, February 6-7, 2012.
Keynote Speaker, “Performing Arts Organizations as International Sports/City Events: The Case of the ‘36 Berlin, ‘84 Los Angeles, and ‘08 Beijing Olympics,” Sun Yat-Sen University, Kaohsiung, Taiwan. November 18-19, 2011.
Audio-Visual Presentation, “Les Cajuns de la Louisiane et L’Espace Culturelle” Université de Reims, December 14, 2011.
Authors’ Round Table, “Models of Comparative Cultural Policy Making,” Musée des Arts Decoratifs du Louvre, Paris, July 9-12, 2010.
Teleconference Presentation, “Counter Reformation Cultural Policy: the Case of St. Peter’s,” Conference on Religion and Cultural Policy, Centre for Cultural Policy Studies, University of Warwick, April 24, 2010.
Roundtable Participant, “Pragmatism and Cultural Innovation: Legal, Epistemological, Organizational, Policy Approaches,” Conference on Arts Management, University of Buffalo, New York, May 14, 2009.
Paper Presentation, “Globalization and Culture: the Case of Canada and the United States,” International Conference on Promoting Innovation through Education, Culture and Communication, Romanian Fulbright Commission, Bucharest, November 6, 2009.
Roundtable Participant, “Contemporary Art and the Systems of Power,” University of Art and Design, Cluj-Napoca, Romania, October 29, 2009.
Paper Presentation, “Privatized Culture in Bad Times: Evaluating the American System of Cultural Patronage,” Canadian Conference of the Arts, University of Ottawa, Ottawa, Canada, October 20, 2009.
Visiting Scholar, Strategic Planning on the Development of Cultural Policy and Cultural Management Programs, Tshwane University of Technology, Pretoria, South Africa, July 19-August 2, 2008.
Member, Comité Scientifique (refereeing submissions in French) “Colloque international sur les tendances et défis des politiques culturelles dans les pays occidentaux“ (International Conference on the Tendencies and Challenges of Cultural Policies in Western Countries), Institut de la recherche scientifique, Québec City, May 2008.
Scholar-in-Residence, Arts Administration Program, Shenandoah University (The Public Conservatory of Virginia), Winchester, Virginia, March 26-29, 2008.
Keynote Speaker, “International Perspectives on Cultural Management,” SUNY- Buffalo, New York, March 18-21, 2008.
Keynote Speaker, “Museums and the Role of Government,” California Association of Museums, Fresno, February 2008.
Keynote Speaker, “International Symposium on Theater Arts and Cultural Administration: Transformation and Imagination,” Sun Yat-sen University, Kaohsiung, Taiwan, November 2007.
Authors’ Round Table, “Models of Comparative Cultural Policy Making,” Musée des Arts Decoratifs du Louvre, Paris, July 9-12, 2010.
Teleconference Presentation, “Counter Reformation Cultural Policy: the Case of St. Peter’s,” Conference on Religion and Cultural Policy, Centre for Cultural Policy Studies, University of Warwick, April 24, 2010.
Roundtable Participant, “Pragmatism and Cultural Innovation: Legal, Epistemological, Organizational, Policy Approaches,” Conference on Arts Management, University of Buffalo, New York, May 14, 2009.
Paper Presentation, “Globalization and Culture: the Case of Canada and the United States,” International Conference on Promoting Innovation through Education, Culture and Communication, Romanian Fulbright Commission, Bucharest, November 6, 2009.
Roundtable Participant, “Contemporary Art and the Systems of Power,” University of Art and Design, Cluj-Napoca, Romania, October 29, 2009.
Paper Presentation, “Privatized Culture in Bad Times: Evaluating the American System of Cultural Patronage,” Canadian Conference of the Arts, University of Ottawa, Ottawa, Canada, October 20, 2009.
Visiting Scholar, Strategic Planning on the Development of Cultural Policy and Cultural Management Programs, Tshwane University of Technology, Pretoria, South Africa, July 19-August 2, 2008.
Member, Comité Scientifique (refereeing submissions in French) “Colloque international sur les tendances et défis des politiques culturelles dans les pays occidentaux“ (International Conference on the Tendencies and Challenges of Cultural Policies in Western Countries), Institut de la recherche scientifique, Québec City, May 2008.
Scholar-in-Residence, Arts Administration Program, Shenandoah University (The Public Conservatory of Virginia), Winchester, Virginia, March 26-29, 2008.
Keynote Speaker, “International Perspectives on Cultural Management,” SUNY- Buffalo, New York, March 18-21, 2008.
Keynote Speaker, “Museums and the Role of Government,” California Association of Museums, Fresno, February 2008.
Keynote Speaker, “International Symposium on Theater Arts and Cultural Administration: Transformation and Imagination,” Sun Yat-sen University, Kaohsiung, Taiwan, November 2007.
Invited Participant, “The Cultural Manger as Global Citizen,” Helsinki, Finland, April 19-20, 2007. (Proceedings in Constance Devereaux and Pekka Vartiainen, eds., The Cultural Manager as Global Citizen (Helsinki: HUMAK Press, 2008).
Visiting Professor, “Seminar on Cultural Policy,” Sun Yat-sen University, Kaohsiung, Taiwan, December 2006.
Lecturer, “Cultural Privatization and Entrepreneurship in the United States,” Department of Canadian Heritage, Ottawa, October, 2006.
Visiting Professor, “The Politics of Arts and Culture: International Perspectives,” School of International Affairs, Columbia University, Summer 2006.
Paper Presentation, “What is Cultural Policy?” International Conference on Cultural Policy Research, Vienna, Austria, July 12-16, 2006.
Interview on Channel 4, the cultural radio program of ORF (Austrian Public Broadcasting), July 11, 2006.
Paper Presentation, “Coloniality, Identity, and Cultural Policy,” Conference on Social Theory and Politics and the Arts, Vienna, Austria, July 9-11, 2006.
Interview on “The Deep End,” the educational and cultural radio program of the Australian Broadcasting Corporation, May 11, 2006.
Featured Speaker, Ticket Master CEO Luncheon, Melbourne Australia, May 16, 2006.
Paper Presentation, “Teaching Cultural Policy,” Association of Arts Administration Educators Conference, Toronto, Canada, April 20-22, 2006.
Paper Presentation, “A Prolegomenon to Any Future Cultural Policy: The Perils of the American Model of Patronage,” Conference on the History of Philanthropy: German and American Perspectives, German Historical Institute, Washington, D.C., March 30-April 1, 2005.
Member, Professional Research Council, Arts and Architecture Department, University of Oregon, 2004-present.
Member, Advisory Board, Baton Rouge Community School for the Arts, 2004- 2006.
Chair, Baton Rouge City-Parish Committee on Art in Public Places, 2000-2006, (adjudicated a dispute concerning a so-called “Satanic Sculpture” on School Board property).
Member, Board of Directors, Greater Baton Rouge Council on the Arts, 1999- 2006.
Lecturer, Elliott School of International Affairs, George Washington University, Washington, D.C., April 18, 2002.
Visiting Professor, “Seminar on Cultural Policy,” Sun Yat-sen University, Kaohsiung, Taiwan, December 2006.
Lecturer, “Cultural Privatization and Entrepreneurship in the United States,” Department of Canadian Heritage, Ottawa, October, 2006.
Visiting Professor, “The Politics of Arts and Culture: International Perspectives,” School of International Affairs, Columbia University, Summer 2006.
Paper Presentation, “What is Cultural Policy?” International Conference on Cultural Policy Research, Vienna, Austria, July 12-16, 2006.
Interview on Channel 4, the cultural radio program of ORF (Austrian Public Broadcasting), July 11, 2006.
Paper Presentation, “Coloniality, Identity, and Cultural Policy,” Conference on Social Theory and Politics and the Arts, Vienna, Austria, July 9-11, 2006.
Interview on “The Deep End,” the educational and cultural radio program of the Australian Broadcasting Corporation, May 11, 2006.
Featured Speaker, Ticket Master CEO Luncheon, Melbourne Australia, May 16, 2006.
Paper Presentation, “Teaching Cultural Policy,” Association of Arts Administration Educators Conference, Toronto, Canada, April 20-22, 2006.
Paper Presentation, “A Prolegomenon to Any Future Cultural Policy: The Perils of the American Model of Patronage,” Conference on the History of Philanthropy: German and American Perspectives, German Historical Institute, Washington, D.C., March 30-April 1, 2005.
Member, Professional Research Council, Arts and Architecture Department, University of Oregon, 2004-present.
Member, Advisory Board, Baton Rouge Community School for the Arts, 2004- 2006.
Chair, Baton Rouge City-Parish Committee on Art in Public Places, 2000-2006, (adjudicated a dispute concerning a so-called “Satanic Sculpture” on School Board property).
Member, Board of Directors, Greater Baton Rouge Council on the Arts, 1999- 2006.
Lecturer, Elliott School of International Affairs, George Washington University, Washington, D.C., April 18, 2002.
Scholar-in-Residence, Program in Arts Administration and Historic Preservation, University of Oregon, Eugene, February 11-16, 2002.
Scholar-in-Residence, Arts Administration Program, Florida State University, Spring 2001.
Delegate, Convocation on Visioning the Local Arts Entity of the Future, Americans for the Arts, Winston-Salem, North Carolina, October 28-30, 1999.
Invited Participant and Paper Presenter, Colloque sur Mecenant, commandite, sponsoring et partenariat dans le domain culturel, Centre Jacques Cartier, Lyon, France, December 6-10, 1998.
Roundtable Participant, Conference on New Trends in Cultural Policy for the 21st Century, sponsored by New York University and the New School for Social Research, April 30-May 1, 1998.
Roundtable Participant, Brown University/Providence-Journal 18th Annual Public Affairs Conference, “The Arts in America: Creativity and Controversy,” February 23-27, 1998.
Invited Participant and Paper Presenter, Symposium on Cultural Policies in Regional Integration, Latin American Institute, University of Texas-Austin, February 2-3, 1998.
Expert Witness for the Governor in Republican Party of Louisiana v. M.J. Foster, Governor et al. concerning the constitutionality of a state law regulating party organizations, July-November, 1997.
Participant, Rapporteur and Paper Presenter, The American Assembly of Columbia University, “The Arts and the Public Purpose,” Arden House, Harriman, New York, May 29-June 1, 1997.
Panelist, Louisiana Division of the Arts, Decentralized Arts Funding Program, 1995-98.
Keynote Speaker, Symposium on Community Development and the Arts, sponsored by the Urban Arts Federation and the National Association of Local Arts Agencies, National Press Club, Washington, D.C., January 23, 1996.
Invited Speaker, Symposium on the Future of Public Arts Funding, sponsored by the Mid-America Arts Alliance and the Missouri Arts Council, December 12-13, 1995.
Public Address, “The Culture Wars and the National Endowment for the Arts,” Center for the Arts Administration, Florida State University, November 9, 1994.
Scholar-in-Residence, Arts Administration Program, Florida State University, Spring 2001.
Delegate, Convocation on Visioning the Local Arts Entity of the Future, Americans for the Arts, Winston-Salem, North Carolina, October 28-30, 1999.
Invited Participant and Paper Presenter, Colloque sur Mecenant, commandite, sponsoring et partenariat dans le domain culturel, Centre Jacques Cartier, Lyon, France, December 6-10, 1998.
Roundtable Participant, Conference on New Trends in Cultural Policy for the 21st Century, sponsored by New York University and the New School for Social Research, April 30-May 1, 1998.
Roundtable Participant, Brown University/Providence-Journal 18th Annual Public Affairs Conference, “The Arts in America: Creativity and Controversy,” February 23-27, 1998.
Invited Participant and Paper Presenter, Symposium on Cultural Policies in Regional Integration, Latin American Institute, University of Texas-Austin, February 2-3, 1998.
Expert Witness for the Governor in Republican Party of Louisiana v. M.J. Foster, Governor et al. concerning the constitutionality of a state law regulating party organizations, July-November, 1997.
Participant, Rapporteur and Paper Presenter, The American Assembly of Columbia University, “The Arts and the Public Purpose,” Arden House, Harriman, New York, May 29-June 1, 1997.
Panelist, Louisiana Division of the Arts, Decentralized Arts Funding Program, 1995-98.
Keynote Speaker, Symposium on Community Development and the Arts, sponsored by the Urban Arts Federation and the National Association of Local Arts Agencies, National Press Club, Washington, D.C., January 23, 1996.
Invited Speaker, Symposium on the Future of Public Arts Funding, sponsored by the Mid-America Arts Alliance and the Missouri Arts Council, December 12-13, 1995.
Public Address, “The Culture Wars and the National Endowment for the Arts,” Center for the Arts Administration, Florida State University, November 9, 1994.
Principal Speaker, Symposium on Regional Funding for the Arts, Inaugural Conference of the Center for Government and the Arts, Wayne State University, October 9, 1993.
Executive Committee Member, Center for French and Francophone Studies, Louisiana State University, 1993 to 1999.
Invited Participant, Executive Seminar on Federal Cultural Policy, hosted by the National Association of State Arts Agencies and the National Assembly of Local Arts Agencies and the American Association of Museums, Wingspread Center, Racine, Wisconsin, May 11-13, 1993.
Speaker, International Conference on Culture and the Cities, sponsored by the Ministere de la Culture du Quebec and the Chaire de Gestion des Arts, Ecole des Hautes Etudes Commerciales, Université de Montreal, November 12-14, 1992. These remarks appeared in an expanded form in Decentralisation, Regionalisation et Action Culturelle Municipale (HEC: Chaire de Gestion des Arts, 1993): 59-78.
Member, Baton Rouge Community Fund for the Arts, Admissions and Appropriations Committee, 1991-1994 (responsible for dispensing $600,000 in corporate contributions to local cultural institutions); reappointed to a three-year term, 1994-1997.
Panelist, Louisiana Council on the Arts, 1982-1984; 1986-1987; 1990-1991 (Arts Education and Arts Development panels); 1995, Decentralized Arts Funding Program; Mississippi Commission on the Arts, 1992-1993 (Research and Development and Technical Assistance panels)
Expert Witness, Independent Presidential Commission on the Arts, August 1, 1990. (Excerpts appeared in The New York Times, “Week in Review,” August 26, 1990 and were also broadcast on CNN).
Co-founder and Vice-president, Louisiana Chapter of the American Society for Public Administration, 1982-1985; council member, 1985-1987; Vice- president, 1988-1989; President, 1989-1990.
“Congress, the Executive and Foreign Policy,” Bicentennial Forum, Louisiana State University-Shreveport, November 16-19, 1989. Reprinted in Congressional-Presidential Relations in the United States, edited by William D. Pederson (Lewistown, NY, Edwin Mellen Press, 1991): 49-60.
Secretary and Member, Panel on the Reorganization of Government,
Transition Team of Governor-elect Buddy Roemer, January-March 1988 (summarizing and coordinating the proceedings of five subcommittees; liaison with Panel Chair and Transition staff; organizing recommendations for the Final Report). Designated “Most Valuable Player” of the Panel.
Commentator, Louisiana Arts-in-Education Conference, Lafayette, Louisiana, September 16-17, 1988.
Executive Committee Member, Center for French and Francophone Studies, Louisiana State University, 1993 to 1999.
Invited Participant, Executive Seminar on Federal Cultural Policy, hosted by the National Association of State Arts Agencies and the National Assembly of Local Arts Agencies and the American Association of Museums, Wingspread Center, Racine, Wisconsin, May 11-13, 1993.
Speaker, International Conference on Culture and the Cities, sponsored by the Ministere de la Culture du Quebec and the Chaire de Gestion des Arts, Ecole des Hautes Etudes Commerciales, Université de Montreal, November 12-14, 1992. These remarks appeared in an expanded form in Decentralisation, Regionalisation et Action Culturelle Municipale (HEC: Chaire de Gestion des Arts, 1993): 59-78.
Member, Baton Rouge Community Fund for the Arts, Admissions and Appropriations Committee, 1991-1994 (responsible for dispensing $600,000 in corporate contributions to local cultural institutions); reappointed to a three-year term, 1994-1997.
Panelist, Louisiana Council on the Arts, 1982-1984; 1986-1987; 1990-1991 (Arts Education and Arts Development panels); 1995, Decentralized Arts Funding Program; Mississippi Commission on the Arts, 1992-1993 (Research and Development and Technical Assistance panels)
Expert Witness, Independent Presidential Commission on the Arts, August 1, 1990. (Excerpts appeared in The New York Times, “Week in Review,” August 26, 1990 and were also broadcast on CNN).
Co-founder and Vice-president, Louisiana Chapter of the American Society for Public Administration, 1982-1985; council member, 1985-1987; Vice- president, 1988-1989; President, 1989-1990.
“Congress, the Executive and Foreign Policy,” Bicentennial Forum, Louisiana State University-Shreveport, November 16-19, 1989. Reprinted in Congressional-Presidential Relations in the United States, edited by William D. Pederson (Lewistown, NY, Edwin Mellen Press, 1991): 49-60.
Secretary and Member, Panel on the Reorganization of Government,
Transition Team of Governor-elect Buddy Roemer, January-March 1988 (summarizing and coordinating the proceedings of five subcommittees; liaison with Panel Chair and Transition staff; organizing recommendations for the Final Report). Designated “Most Valuable Player” of the Panel.
Commentator, Louisiana Arts-in-Education Conference, Lafayette, Louisiana, September 16-17, 1988.
Member, Study Commission on the Future of Louisiana, Council for a Better Louisiana (CABL), 1986; Co-author, Requisites for Reform: Tennessee’s Experience and Louisiana’s Future (Baton Rouge: CABL, 1986).
Member, Committee on the Arts, Culture, and Tourism, National Conference of State Legislatures, 1984-1986.
Chairman, House of Representatives Arts Advisory Committee (coordinating three museums and three public agencies in placing art work in the House of Representatives), 1982-1984; member, 1987-1992.
“Legislative Art in Louisiana: A Slide Presentation” with Hon. John Hainkel, Speaker, Louisiana House of Representatives, at the Annual Meeting of the National Association of State Arts Agencies, New Orleans, October 29, 1983.
“New Federalism’s Implications,” Louisiana Municipal Review, October, 1982, 17.
“The Reagan New Federalism Initiative,” speech before the 45th Annual Convention of the Louisiana Municipal Association, Lafayette, Louisiana, August 13, 1982.
Panelist, Louisiana Council on the Arts, 1982-1984; 1986-1987.
Panelist, Baton Rouge Council on the Arts and Humanities, 1981-1983; 1986- 1987.
Member of the Steering Committee, Governor’s Conference on the Arts and Humanities, 1981-1982; “Politics and Public Culture,” position paper prepared for the 1982 Governor’s Conference on the Arts and Humanities.
“Historic Preservation as Public Policy,” presentations to the Annual Meeting of the Louisiana Preservation Alliance, July 17, 1981; the New Orleans Landmarks Society, October 5, 1981.
Guest Editorial, Art Spectrum (quarterly publication of the Louisiana Division of the Arts), September 1981, 12.
Member, University Committee on the Humanities, 1981-91; Chairman, 1983- 1984, 1989-1990.
Member, LSU Union Arts Advisory Board, 1981-1984.
Director (and Founder), Political Science Internship Program, 1980-1984.
Cultural Advisor to the Speaker of the Louisiana House of Representatives, 1980-1982, as a National Endowment for the Humanities Humanist-in- Residence at the State Legislature.
Member, Committee on the Arts, Culture, and Tourism, National Conference of State Legislatures, 1984-1986.
Chairman, House of Representatives Arts Advisory Committee (coordinating three museums and three public agencies in placing art work in the House of Representatives), 1982-1984; member, 1987-1992.
“Legislative Art in Louisiana: A Slide Presentation” with Hon. John Hainkel, Speaker, Louisiana House of Representatives, at the Annual Meeting of the National Association of State Arts Agencies, New Orleans, October 29, 1983.
“New Federalism’s Implications,” Louisiana Municipal Review, October, 1982, 17.
“The Reagan New Federalism Initiative,” speech before the 45th Annual Convention of the Louisiana Municipal Association, Lafayette, Louisiana, August 13, 1982.
Panelist, Louisiana Council on the Arts, 1982-1984; 1986-1987.
Panelist, Baton Rouge Council on the Arts and Humanities, 1981-1983; 1986- 1987.
Member of the Steering Committee, Governor’s Conference on the Arts and Humanities, 1981-1982; “Politics and Public Culture,” position paper prepared for the 1982 Governor’s Conference on the Arts and Humanities.
“Historic Preservation as Public Policy,” presentations to the Annual Meeting of the Louisiana Preservation Alliance, July 17, 1981; the New Orleans Landmarks Society, October 5, 1981.
Guest Editorial, Art Spectrum (quarterly publication of the Louisiana Division of the Arts), September 1981, 12.
Member, University Committee on the Humanities, 1981-91; Chairman, 1983- 1984, 1989-1990.
Member, LSU Union Arts Advisory Board, 1981-1984.
Director (and Founder), Political Science Internship Program, 1980-1984.
Cultural Advisor to the Speaker of the Louisiana House of Representatives, 1980-1982, as a National Endowment for the Humanities Humanist-in- Residence at the State Legislature.
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